Chris Bentley

Chris Bentley

Head Of Fine Art & Specie, Uk & Lloyd’s @ AXA XL

About Chris Bentley

Chris Bentley serves as the Head of Fine Art & Specie for AXA XL in the UK and Lloyd's, bringing extensive experience from previous roles in underwriting and client management across various regions.

Current Role at AXA XL

Chris Bentley serves as the Head of Fine Art & Specie for the UK and Lloyd's at AXA XL. He has held this position since 2020, contributing to the management and underwriting of fine art and specie insurance in London, England. His role involves overseeing operations and ensuring the effective delivery of services within this specialized sector.

Previous Experience at AXA ART

Prior to his current role, Bentley worked at AXA ART in various capacities. He was the Director of Underwriting for Northern Europe, the Middle East, and Asia from 2016 to 2019. He also held the position of Chief Underwriter for the London Market from 2015 to 2016 and served as an Underwriter from 2012 to 2015. His tenure at AXA ART began with an Office Assistant role from 2003 to 2005.

Experience at Hiscox and Aon

Before joining AXA ART, Bentley worked at Hiscox as an Underwriter specializing in Fine Art from 2009 to 2012. He also gained experience at Aon, where he served as a Client Manager for Artscope from 2006 to 2009. These roles contributed to his expertise in the fine art insurance sector.

Educational Background

Chris Bentley studied at University College London (UCL), focusing on the History of Art. He completed his degree from 2003 to 2006, which provided him with a foundational understanding of art history that supports his professional endeavors in the fine art insurance industry.

Early Career Experience

Bentley's early career included positions that provided him with exposure to the art world. He worked as a Gallery Porter at Bonhams from 2002 to 2004, and he began his journey in the insurance sector as an Office Assistant at AXA ART from 2003 to 2005. These roles helped him develop a comprehensive understanding of both the art market and the insurance industry.

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