Laura Scheerlinck

Laura Scheerlinck

Postproductie Coã Rdinator @ Caviar

About Laura Scheerlinck

Laura Scheerlinck is a Postproduction Coordinator at Caviar in London, England, where she has worked since 2014. She has coordinated international partnerships for the project 'Tabula Rasa' and managed its social media presence.

Work at Caviar

Laura Scheerlinck has been employed at Caviar as a Postproductie Coördinator since 2014. In her role, she coordinates various aspects of post-production, contributing to the successful execution of projects. She has worked on the project 'Tabula Rasa', where she managed international partnerships with organizations such as ZDF and national partnerships with VRT. Additionally, she has overseen the social media presence and press contacts for 'Tabula Rasa' on platforms including Facebook, Instagram, and IMDB. Her tenure at Caviar spans over ten years in London, England.

Education and Expertise

Laura Scheerlinck holds a Bachelor's degree in Theater and Film from the University of Antwerp, where she studied from 2010 to 2013. She furthered her education at Vrije Universiteit Brussel, earning a Master's degree from 2013 to 2014. Her academic background provides her with a solid foundation in the arts and media, which she applies in her professional roles, particularly in post-production coordination and project management.

Background in Media Production

Before joining Caviar, Laura Scheerlinck gained experience in media production through various roles. She worked as an Opnameleider at Kanakna Productions for one month in 2014. Additionally, she held positions at Radio 1 in Budapest, Hungary, where she served as a Redactielid and as a Stagiair Hautekiet, both for two months in 2014. These roles contributed to her understanding of the media landscape and enhanced her production skills.

Contributions to Tabula Rasa

In her role at Caviar, Laura Scheerlinck played a significant part in the project 'Tabula Rasa'. She produced the opening credits for the series and assisted in securing funding from the Flemish Audiovisual Fund (VAF) and Creative Europe. Her contributions helped to establish the project’s visibility and financial support, showcasing her capabilities in both creative and administrative aspects of production.

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