Parker Dixon
About Parker Dixon
Parker Dixon is an experienced editor currently working at Condé Nast in the Greater New York City Area. He has a background in editing and serving, with previous roles at Zero Point Zero Production Inc and BR Guest, and has contributed to notable brands such as Wired and The New Yorker.
Work at Condé Nast
Parker Dixon has been working at Condé Nast as an Editor since 2018. In this role, he has contributed to various projects, focusing on medium form content for notable brands such as Wired, Ars Technica, GQ Sports, and The New Yorker. His work includes editing significant pieces for Wired and Condé Nast Traveler in 2018, showcasing his expertise in editorial processes within a leading media company.
Previous Experience in Editing
Before joining Condé Nast, Parker Dixon worked at Zero Point Zero Production Inc as an Assistant Editor from 2015 to 2017. He also held the position of Editor at the same company for a brief period in 2017. His editorial experience is complemented by his role as a Teaching Assistant at Manhattan Edit Workshop in 2011, where he supported educational initiatives in film and editing.
Background in Hospitality
Parker Dixon has a background in the hospitality industry, having worked as a Server at BR Guest. He served at two locations: Blue Fin from 2009 to 2010 and Atlantic Grill in 2010. His experience in service roles provided him with skills in customer interaction and teamwork, which are beneficial in collaborative environments.
Education and Expertise
Parker Dixon earned a Bachelor of Arts (B.A.) in English and Theatre from Davidson College, where he studied from 1999 to 2003. Prior to that, he attended Woodberry Forest from 1996 to 1999. His educational background in the arts has likely informed his editorial approach and understanding of narrative structure.
Documentary Project Completion
In May 2019, Parker Dixon completed a documentary project, further expanding his portfolio in visual storytelling and content creation. This project reflects his versatility and ability to engage with different forms of media beyond traditional editorial work.