Derrick Huang
About Derrick Huang
Derrick Huang serves as the Production Manager for Rapid Prototype and Facial Animation at LAIKA, LLC, a position he has held since 2016. He holds a Bachelor of Science in Finance and Marketing from New York University and has previously worked in various production and marketing roles at companies such as Bent Image Lab and Nathan Love.
Current Role at LAIKA
Derrick Huang serves as the Production Manager for Rapid Prototype and Facial Animation at LAIKA, LLC. He has held this position since 2016, contributing to the company's innovative projects in animation. His role involves overseeing the production processes related to rapid prototyping and facial animation, ensuring that projects meet both creative and technical standards. LAIKA is known for its unique stop-motion animation techniques, and Huang's expertise plays a crucial role in maintaining the quality of the studio's work.
Previous Experience in Animation Production
Before joining LAIKA, Derrick Huang worked at Bent Image Lab as an Executive Producer from 2015 to 2016. In this role, he managed various production projects, focusing on delivering high-quality animated content. Prior to that, he was the Head of Production at Nathan Love from 2008 to 2015, where he oversaw production workflows and collaborated with creative teams to produce animated works. His extensive experience in production management has equipped him with the skills necessary for his current role.
Educational Background
Derrick Huang earned a Bachelor of Science (B.S.) degree in Finance and Marketing from New York University. He studied from 2002 to 2006, gaining foundational knowledge in business principles that complement his career in production management. His education has provided him with insights into both the financial and marketing aspects of the entertainment industry, enhancing his capabilities in managing production budgets and marketing strategies.
Early Career in Marketing
Derrick Huang began his professional career as an Associate Marketing Manager at Entertainment Weekly, where he worked from 2006 to 2008. In this role, he was involved in marketing initiatives that promoted the publication's content. This early experience in marketing has contributed to his understanding of audience engagement and brand promotion, skills that are beneficial in the animation industry.