Rachel Spaulding Carty

Rachel Spaulding Carty

Senior Product Manager @ ModusBox

About Rachel Spaulding Carty

Rachel Spaulding Carty is a Senior Product Manager at Modus, where she has worked since 2021. She holds a BA in Art History and Cinema & Media Studies from Wellesley College and has a background in various roles within the art and media sectors.

Work at ModusBox

Rachel Spaulding Carty has been employed at ModusBox as a Senior Product Manager since 2021. In this role, she is responsible for overseeing product development and management, ensuring that products meet market needs and align with company goals. Her tenure at ModusBox spans three years, during which she has contributed to various projects and initiatives within the organization.

Education and Expertise

Rachel Spaulding Carty holds a Bachelor of Arts degree in Art History and Cinema & Media Studies from Wellesley College, where she graduated summa cum laude and was inducted into Phi Beta Kappa. She furthered her education at the University of Oxford, earning a Master of Studies in History of Art & Visual Culture. Additionally, she is a Doctoral Candidate in Art History at The Graduate Center, City University of New York, indicating a strong academic foundation in her field.

Professional Background

Prior to her current role at ModusBox, Rachel worked in various positions within the arts and media sectors. She served as an Archival Producer at Ralph Appelbaum Associates from 2017 to 2018. Earlier, she was a Project Manager at VaynerMedia from 2012 to 2015. Rachel also gained experience as a Curatorial Intern at the Whitney Museum of American Art in 2011 and worked as a Research Assistant at the same institution for four months. Her experience includes a role as a Gallery Assistant at Third Streaming Gallery and a Curatorial Intern in the Film Department at MoMA.

Internships and Early Career

Rachel Spaulding Carty began her career with several internships that provided her with foundational experience in the art world. In 2010, she interned in the Film Department at MoMA for two months. The following year, she held a two-month internship at the Whitney Museum of American Art. These early roles contributed to her understanding of curatorial practices and the operational aspects of art institutions.

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