Max Owens
About Max Owens
Max Owens is a Content Policy Senior Associate at Ofcom, where he has worked since 2018. He has a background in media and content policy, with previous roles at organizations such as BBC, East London Lines, and PwC.
Current Role at Ofcom
Max Owens serves as a Content Policy Senior Associate at Ofcom, a position he has held since 2018. In this role, he focuses on various aspects of content policy, including public value assessments and engagement with the video game industry. He has been instrumental in managing Ofcom's competition assessment of proposed changes to BBC iPlayer. His responsibilities also include leading policy development initiatives related to the AVMS Directive amendments and Online Harms.
Previous Experience at Ofcom
Prior to his current role, Max Owens worked at Ofcom as a Content Policy Associate from 2016 to 2018. During this time, he contributed to various projects and gained valuable experience in content regulation and policy formulation. He also served as a Graduate at Ofcom from 2014 to 2016, where he further developed his expertise in the field.
Educational Background
Max Owens studied at the University of Warwick, where he earned a Bachelor of Arts degree in Philosophy from 2008 to 2011. He later attended Goldsmiths, University of London, completing a Master of Arts in Radio from 2011 to 2012. His educational background has provided him with a strong foundation in critical thinking and media studies.
Early Career and Work Experience
Max Owens began his career with various work experiences in the media sector. He worked as a Researcher at Dangerous Films in 2009 and gained experience at PwC in multiple roles, including as a Relationship Check Analyst in 2014. He also held positions at the BBC and Blakeway Productions, where he was involved in research and production activities. His early roles helped him build a diverse skill set in media and content production.
Passion for Music
Max Owens has a strong passion for music, which includes both attending live performances and playing music personally. This interest complements his career in media and content policy, allowing him to engage with cultural aspects of the industry.