Melanie Smith
About Melanie Smith
Melanie Smith serves as the Deputy Head of Production at The Economist, where she has worked since 2010. With a background in production management and a degree in Fine Arts, she combines creative and analytical skills to enhance production processes and mentor junior staff.
Work at The Economist
Melanie Smith has served as the Deputy Head of Production at The Economist since 2010. In this role, she has been responsible for overseeing production processes and ensuring the efficient delivery of content. Her tenure spans 14 years, during which she has played a key role in implementing strategic production processes that enhance operational efficiency. Additionally, she actively mentors junior staff members in production and project management, contributing to the development of future leaders in the field.
Previous Experience in Publishing
Prior to her current role, Melanie Smith worked at Eaglemoss Publishing Group as a Project Manager from 2008 to 2009. She also held positions at Time Magazine, where she was a Production Manager from 1996 to 2006 and a Business Office Analyst from 2007 to 2008. Her experience at Time Magazine spanned over a decade, allowing her to gain substantial expertise in production management and business analysis within the publishing industry.
Education and Expertise
Melanie Smith studied Fine Art at the University of Humberside, where she earned a Bachelor of Arts (BA) degree from 1991 to 1994. She also completed a Foundation Course in Art & Design at The Manchester Metropolitan University from 1990 to 1991. Her educational background in fine art complements her extensive experience in production management, providing her with a unique blend of creative and analytical skills.
Background in Production Management
Melanie Smith has a strong background in production management, combining her artistic education with practical experience in various roles. Her career has involved both creative and analytical responsibilities, allowing her to develop a comprehensive understanding of production processes. This dual expertise has been instrumental in her contributions to The Economist and previous organizations.