Christina Schnabel
About Christina Schnabel
Christina Schnabel is a Product Manager at The New York Times, where she has worked since 2022. She has a background in quality assurance and product management, with previous roles at indieWIRE, Vimeo, and The New York Times.
Current Role at The New York Times
Christina Schnabel is currently employed as a Product Manager at The New York Times, a position she has held since 2022. In this role, she is responsible for overseeing product development and ensuring that the products meet user needs and business objectives. Her experience in quality assurance and product management contributes to her ability to manage projects effectively within a fast-paced environment.
Previous Experience at indieWIRE
Prior to her current role, Christina worked at indieWIRE as a Quality Assurance and Product professional from 2011 to 2014. During her three years there, she focused on maintaining high standards for the platform's functionality and user experience. This role provided her with foundational skills in product management and quality assurance in the media industry.
Career at Vimeo
Christina Schnabel served as a QA Analyst at Vimeo from 2014 to 2019. Over the course of five years, she was involved in testing and ensuring the quality of Vimeo's video platform. Her work contributed to the overall user experience and reliability of the service, allowing her to develop expertise in quality assurance processes.
Educational Background
Christina studied at The City College of New York, where she earned a Bachelor of Fine Arts (B.F.A.) in Cinematography and Film/Video Production. Her education spanned from 2007 to 2011, equipping her with a solid foundation in visual storytelling and production techniques that inform her work in product management.
Early Career and Internships
In the early stages of her career, Christina held various positions, including an Office Production Assistant at Live Star Entertainment LLC for one month in 2011 and an Artists Programs Intern at the Tribeca Film Institute, where she worked on documentary projects for three months in 2011. These experiences provided her with insights into the production process and the creative industry.