Joanna Nikas
About Joanna Nikas
Joanna Nikas is a Senior Staff Editor at The New York Times, where she manages the 'Surfacing' section and oversees the production of over 35 visual-first stories. She has a background in journalism and digital communication, holding degrees from New York University and Columbia University, and has contributed to various video series and panels focused on diversity in journalism.
Work at The New York Times
Joanna Nikas has served as a Senior Staff Editor at The New York Times since 2011. In her role, she manages the 'Surfacing' section, which focuses on visual journalism. She oversees the production of over 35 visual-first stories, ensuring high-quality content delivery. Nikas has co-produced and edited the weekly video series 'Intersection,' which highlights street style from various global locations. Additionally, she is responsible for editing and recording Bill Cunningham’s weekly 'On the Street' videos, contributing to the paper's rich visual storytelling tradition.
Education and Expertise
Joanna Nikas holds a Bachelor's Degree in Journalism and Politics from New York University, where she studied from 2005 to 2009. She furthered her education at Columbia University, earning a Master's Degree in Digital Communication and Media/Multimedia between 2009 and 2011. This educational background has equipped her with a strong foundation in both traditional journalism and modern digital media practices.
Background
Prior to her tenure at The New York Times, Joanna Nikas gained experience as an intern at the Public Broadcasting Service from 2010 to 2011. This early exposure to media production and journalism helped shape her career trajectory and provided her with practical skills in the field.
Achievements
During her time at The New York Times, Joanna Nikas has moderated various panels, including discussions aimed at college students and panels focused on diversity in journalism. She has also conceptualized and introduced innovative story forms, collaborating with the AR team on projects such as 'Ashley Graham, Unfiltered,' which featured a holographic video format. Her contributions reflect a commitment to advancing visual storytelling and engaging diverse audiences.