Josh Haner
About Josh Haner
Josh Haner is a Senior Editor for Photo Technology and a Staff Photographer at The New York Times, where he has worked since 2014. He has a background in technology and photography, having previously held positions at Fortune Magazine and The New York Times, and he studied Symbolic Systems and Studio Art at Stanford University.
Current Role at The New York Times
Josh Haner serves as the Senior Editor of Photo Technology and Staff Photographer at The New York Times. He has held this position since 2014, contributing to the photography department's technical innovation. His work focuses on live photo publishing during breaking news events, ensuring that the department remains at the forefront of photojournalism.
Previous Experience at The New York Times
Before his current role, Haner worked at The New York Times as a Picture Editor from 2006 to 2010. During this four-year tenure, he developed skills in photo editing and collaborated closely with various teams, including Interactive News, Systems, Design, and the CMS team. He also served as a Staff Photographer from 2010 to 2014, further enhancing his expertise in visual storytelling.
Education and Expertise
Haner studied at Stanford University from 1998 to 2002, where he earned a Bachelor of Science in Symbolic Systems with a focus on Human-Computer Interaction and a Bachelor of Arts in Studio Art with an emphasis on Photography. His educational background combines technology and the arts, providing a strong foundation for his work in photojournalism and media.
Career at Fortune Magazine
Prior to his time at The New York Times, Haner worked at Fortune Magazine as an Assistant Photo Editor from 2003 to 2006. This role allowed him to gain valuable experience in photo editing and visual media, contributing to his overall development in the field of photography.
Technical Innovations in Photography
In his current role, Haner leads the photography department's technical innovation efforts. He researches and implements new processes and technologies to ensure that the department continues to innovate. His work includes redesigning internal systems to maintain a competitive edge in the rapidly evolving landscape of photojournalism.