Karen Hanley
About Karen Hanley
Karen Hanley is a Visuals Producer at The New York Times, where she has worked since 2017. She has a background in photo editing and video production, with experience in enhancing the visual storytelling for the publication's social media platforms.
Work at The New York Times
Karen Hanley has held multiple positions at The New York Times since 2013. She began as an Assistant Photo Editor in the News Service/Syndicate department, working for seven months. She then transitioned to The New York Times Magazine as a Photo Assistant from 2014 to 2016, where she contributed to photo curation. Following this role, she served as a Photo Editor at The New York Times Magazine for one year. Since 2017, she has been working as a Visuals Producer, focusing on enhancing visual storytelling across various platforms.
Education and Expertise
Karen Hanley studied at the State University of New York at Buffalo, where she earned a Bachelor of Arts (B.A.) in Media Study with a focus on Video Production and Social Science in International Studies. Additionally, she studied abroad at Charles University, concentrating on Eastern and Central Europe Studies. This educational background has equipped her with a blend of creative and analytical skills applicable to her role in visual production.
Contributions to Digital Storytelling
In her role as Visuals Producer, Karen Hanley has contributed to the development of digital-first stories aimed at engaging younger audiences on platforms such as Snapchat. She has designed and animated motion graphics, edited vertical videos, and written headlines for Snapchat stories. Her work reflects a combination of creative and editorial skills, enhancing the storytelling experience for The New York Times' audience.
Instagram Strategy and Visual Curation
Karen Hanley played a significant role in curating photos and videos for The New York Times' Instagram feed. She was involved in re-strategizing the publication's presence on the platform, focusing on producing and designing stories tailored for Instagram. Her efforts have enhanced the visual storytelling experience and contributed to the engagement of The New York Times' audience.