Tiffanie Graham

Photo Editor @ The New York Times

About Tiffanie Graham

Tiffanie Graham is a photo editor currently employed at The New York Times since 2020. She has previously held positions at W Magazine, ELLE Magazine, Vogue, and ABC News, and has also served as a judge for a fashion photo competition.

Work at The New York Times

Tiffanie Graham has been serving as a Photo Editor at The New York Times since 2020. In this role, she is responsible for overseeing the selection and presentation of photographs that accompany news articles and features. Her work contributes to the visual storytelling that The New York Times is known for, enhancing the reader's experience through carefully curated imagery.

Previous Experience in Visual Editing

Prior to her position at The New York Times, Tiffanie Graham worked as a Senior Visuals Editor at W Magazine from 2014 to 2018. In this capacity, she managed visual content and collaborated with photographers and designers to create compelling layouts. Additionally, she held freelance roles as a Photography Editor for ELLE Magazine and as a Senior Producer for Vogue and ABC News in 2014.

Education and Expertise

Tiffanie Graham studied at Boston University, where she developed her skills in photography and visual communication. Her educational background has equipped her with a strong foundation in the principles of visual storytelling, which she applies in her professional roles across various prestigious publications.

Judging Experience and Industry Involvement

Tiffanie Graham served as a judge for PDN's The Look Fashion Photo Competition, where she evaluated submissions from photographers in the fashion industry. This role demonstrates her engagement with the photography community and her expertise in assessing visual work within a competitive context.

Notable Projects

Graham worked as a photo editor for the fashion designer Jeremy Scott's Rizzoli book titled 'Jeremy Scott'. In this project, she played a key role in curating and editing the visual content that showcased the designer's work, contributing to the publication's overall aesthetic and narrative.

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